Author | |
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Imprint | Poetrywala |
Publication Year | 2018 |
Language | Marathi |
Edition | 1 |
Binding | Paperback |
Pages | 42 |
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Brouhahas Of Cocks
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Hardback awakening The air is thick, and has revived my books, anticipating the first spell of a Bombay monsoon. Ambient moisture has slaked pages that shuffle and twist, arise to a wakefulness, unleaving. Feeling the discomfort of nearness,
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Says Tuka-Selected poems of Tukaram
About the Book
Tukaram was born in 1608 and vanished without a trace in 1650. what little we know of his life is a reconstruction from his own autobiographical poems, the contemporary poetess Bahinabai’s memoirs in verse, and the later biographer of Marathi poet-saints, Mahipati’s account. The rest is all folklore, though it cannot be dismissed on those grounds alone. Modern scholars such as the late V. S. Bendre have made arduous efforts to collate evidence from disparate contemporary sources to establish a well-researched biography of Tukaram. But even this is largely conjectural.
Tukaram is therefore not only the last great Bhakti poet in Marathi but he is also the first truly modern Marathi poet in terms of temper and thematic choice, technique and vision. He is certainly the most vital link between medieval and modern Marathi poetry. Tukaram’s stature in Marathi literature is comparable to that of Shakespeare in English or Goethe in German. He could be called the quintessential Marathi poet reflecting the genius of the language as well as its characteristic literary culture. There is no other Marathi writer who has so deeply and widely influenced Marathi literary culture since. Tukaram’s poetry has shaped the Marathi language, as it is spoken by 70 million people today and not just the literary language. Perhaps one should compare his influence with that of the King James version of the Bible upon speakers of the English language. For Tukaram’s poetry is also used by illiterate millions to voice their prayers or to express their love of God.
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The Metaphysics of the Tree-Frog’s Silence
About the Book
It is our loss that we did not know Ajithan Kurup’s work when he was alive, and we did not celebrate his brave and lonely project: to render the unsayable into language. He cannot be imitated or replaced, only admired.- Jeet Thayil
To enter Ajithan G. Kurup’s poetic world is to risk, in the words of his title poem, dancing “headlong down precipices.” It’s rare to find a contemporary poet who dares near-unattainable heights and fearful depths on dancing words – words that may sometimes seem far-fetched or invented but which, in fact, are inspired variants or archaic forms of those more usually used: “sempstress” instead of “seamstress”, “enow” instead of “enough”, “trode” instead of “trod”.-ADIL JUSSAWALLA
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Durable Transit
About the Book
Ravi Shankar’s poems are immortal in the flesh, finding in The life of the mind its interpretations, its instrumentality. The surpassing, transient, lyrical moment; and in the life of the World’s body the permanent, unflinching presence of thought, Unconfined by time and space. They are the verbal artifacts of a Singular, many-sided, and distinguished consciousness.Pulitzer Prize winner Vijay Seshadri Engorged with image, thick, viscous and churning, Ravi Shankar’s Poems have the density of mercury as well as its fluidity and Mobility…The energy is visceral. The language is restless, hungry For surprise, the register swinging between the formal and the Demotic (both American and Indian). Underlying this is an Almost voluptuous need to embrace myth, history, metaphysics And pop culture, and bring all of it into a single book, and Sometimes a single poem. This is matched by an alertness to form with references ranging from the Bop to the pada — making for A playful, stylistically supple poetry. – Arundhathi Subramaniam Ravi Shankar’s poems have a fine-tuned sense of form, a rare Delight in language. Through wit and abstraction, they reveal a Metaphysics of longing, binding us to the elements of our moving World. – Meena Alexander
Ravi Shankar is truly, now, one of America’s finest younger poets.-Dick Allen
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40 under 40
About the Book
“The Indian poetry scene has always been considered to be lively, but no better evidence of this fact exists than 40/40. Here we have forty contemporary Indian poets under forty years old, and what we encounter is extraordinarily timely and compelling, providing us the trace of a newly emergent lyric consciousness, simultaneously local and cosmopolitan. Here we have Akhil Katyal reminiscing about being ten years old and growing up in the shadow of the AIDS epidemic, “battling the stars of a virus”; we have Chandramohan S’ witty “Plus-Size Poem” that “does not opt for offshore liposuction”; and we have the speaker of Ishita Basu Mallik’s sonnenizio about going commando under her jeans and turning her beloved into ” an electric remnant bombarding” her “bones with wavelengths.” From Jennifer Robertson’s prose poem about Jesus and Jaipur, Rohan Chhetri’s universe in braille, or Shelly Bhoil’s typographical experimentation, this anthology shows us the pulse of a generation coming of age in an era of mass media and Hindu mythology. I have no doubt that this will be one of those books that when looked back on will have been proven to be seminal and indispensable, introducing us to both the present and the future of Indian poetry.” -Ravi Shankar, Pushcart Prize winning poet and Founding Editor of Drunken Boat * THIS ANTHOLOGY HAS BEEN EDITED BY NABINA DAS & SEMEEN ALI
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Shesha
About the Book
Flesh Tint Like a painting by Velazquez A woman stands Alone in the frame Touched by the brush of light Blossoming. How did Flesh Tint reflect Naples Yellow In this greenish blue room? What made the sun Suddenly rise on the palette?