Author | Anand Thakore |
---|---|
Imprint | Poetrywala |
Publication Year | 2017 |
Language | English |
Edition | 1 |
Binding | Paperback |
Pages | 78 |
Seven Deaths & Four Scrolls
$2$12
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These are late night poems of the body that sing also of catastrophe, how wide it is, how easy, like ‘being in one place instead of another.’ Anindita Sengupta’s new book is hot, harrowing and masterful. It will stay with me for a long time. ~ Jeet Thayil Anindita Sengupta is a poet of the precise line, the measured image, of mediated passion, the sure ending. Her observation is acute, her politics seldom theatrical and her passage from one world to another and from the object to the spirit smooth and subtle. Her poetry proves that silk can wound and knife can flower. ~ K. Satchidanandan “They rise in this landscape, the ancients – old loves, myths, cities, secret revolutions. Anindita Sengupta’s language is forever old and forever new. Fretful, explosive, terrifying. Her poetry will leave you with beautiful scars.” ~ Janice Pariat
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Mutatis Mutandis
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Through sex-dolls and addictions, for whom poetry can be just another narcotic throbbing in your vein. Khandekar’s man has stretched himself to the limits of the Machiavellian primate, modifying his behaviour and absurdum to fit in with the changing patterns of a world spinning out of control on the wheel of progress. Meet the ghost in the machine Sanjeev Khandekar’s poetry grins impishly, then socks you in the eye. It makes you feel horns on your head and inspect your skin for green stripes. Khandekar breaks conventions of belief, language and genre to offer a world with no certainties, where you are just a gob of self-awareness floating in a matrix of virtual reality, mutating every moment to balance your inner needs with social expectations. You are the Mutatis Mutandis Man the human ‘with necessary changes’ carried out the modified man tossed between inscrutable science and enigmatic religious faith, the creature who gropes for love and creativity that may lure you towards self-destruction. Meet Khandekar’s Monster and see if he seems familiar.
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Says Tuka-Selected poems of Tukaram
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Tukaram was born in 1608 and vanished without a trace in 1650. what little we know of his life is a reconstruction from his own autobiographical poems, the contemporary poetess Bahinabai’s memoirs in verse, and the later biographer of Marathi poet-saints, Mahipati’s account. The rest is all folklore, though it cannot be dismissed on those grounds alone. Modern scholars such as the late V. S. Bendre have made arduous efforts to collate evidence from disparate contemporary sources to establish a well-researched biography of Tukaram. But even this is largely conjectural.
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Ashwani Kumar’s poems in ‘Banaras and The Other” are a mischievous irreverence turned at times to the present and at times to the past. The personal and the political, memories and nostalgia, mythical characters and contemporary parodies mix and mingle in these poems in diverse proportions to produce a rare poetic energy that belongs entirely to our times of pain and paradox. –K. Satchidanandan
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Scripted in the Streams
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There is an intense humanity in these poems by Rati Saxena, a humanity that ennobles all of us who are humble enough to listen. There is an empathy is these poems for all living things – for the spider, for the ant, for the owl – and a similar understanding of all things that may not be alive. -Alan Titley, Professor Emeritus of Modern Irish, University College, Cork It has travelled a long, long way this voice?and we welcome it as we would do a stranger, into the West where despair, decline and decay are seemingly permanent lodgers, Saxena’s lyrics arrive like a fresh breeze. New-born, fresh and smelling of the earth, her poems draw on the well of Indo-European tradition, the intimate links that bind the female psyche and the landscape in all its fecundity. -Dr Michel h’Aodha, University of Limerick Saxena allows for different aeons to melt into each other. She creates a world in which humans interact with insects and animals. We are all of and from the same source. The image of the snake is a powerful one to explain the frustrations of modern women in today’s India. Her vision makes a mockery of the boundaries around our lives and we sail with her through a magical world, coming into contact with the source of life itself. There are echoes of Flann O’ Brien in the delightful poem about the bicycle of her youth. Taboos and rituals will not enslave her and poetry finds its way into the washing on the line and the fire that bakes our daily bread. – Ceaiti Ni Bheildiuin, poet In this selection of the poems of Rati Saxena we are drawn into a world of imagery where deep respect is shown for the low -Brian O Conchubhair, University of Notre Dame, USA