We have been part of the publishing industry for the past 20 years.
We began in 1992 with Abhida, a journal dedicated to Marathi poetry, which later metamorphosed into a quarterly - Abhidhanantar which redefined and refined the way Marathi poetry was received till then by its readers and presented fantastic contemporary Marathi poets and their works, essays and literary criticism.
This paved the way to getting books of Marathi poetry being published under the imprint Abhidhanantar.
There is an intense humanity in these poems by Rati Saxena, a humanity that ennobles all of us who are humble enough to listen. There is an empathy is these poems for all living things - for the spider, for the ant, for the owl - and a similar understanding of all things that may not be alive.
-Alan Titley, Professor Emeritus of Modern Irish, University College, Cork
It has travelled a long, long way this voice…and we welcome it as we would do a stranger, into the West where despair, decline and decay are seemingly permanent lodgers, Saxena’s lyrics arrive like a fresh breeze. New-born, fresh and smelling of the earth, her poems draw on the well of Indo-European tradition, the intimate links that bind the female psyche and the landscape in all its fecundity.
-Dr Mícheál Ó hAodha, University of Limerick
Saxena allows for different aeons to melt into each other. She creates a world in which humans interact with insects and animals. We are all of and from the same source. The image of the snake is a powerful one to explain the frustrations of modern women in today’s India. Her vision makes a mockery of the boundaries around our lives and we sail with her through a magical world, coming into contact with the source of life itself. There are echoes of Flann O’ Brien in the delightful poem about the bicycle of her youth. Taboos and rituals will not enslave her and poetry finds its way into the washing on the line and the fire that bakes our daily bread.
- Ceaití Ní Bheildiúin, poet
In this selection of the poems of Rati Saxena we are drawn into a world of imagery where deep respect is shown for the low
-Brian Ó Conchubhair, University of Notre Dame, USA Read more