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Amlanjyoti Goswami

AMLANJYOTI GOSWAMI’s new book of poetry, A Different Story, has just been published by Poetrywala. He has written two widely reviewed books of poetry, River Wedding and Vital Signs, published by Poetrywala. River Wedding was shortlisted for the Sahitya Akademi award. Published in journals and anthologies across the world, including Poetry, The Poetry Review, Penguin Vintage, Rattle and Sahitya Akademi, he is also a Best of the Net and Pushcart nominee. His work has appeared on street walls of Christchurch, buses in Philadelphia, exhibitions in Johannesburg and an e-gallery in Brighton. He has reviewed poetry for The Hindu, Frontline, Review 31 and Modern Poetry in Translation, among others. He has read at various places, including Delhi, Mumbai, New York, Chandigarh, Boston and Bangalore. He grew up in Guwahati and lives in Delhi.

  • A Different Story

    About the Book

    We promise the new year – hope – and we will fill the pitcher.
    We will drink sunsets of magic and we will park despair on the way.
    We will leave sadness stranded by the light post, solar panelled for tomorrow.

    And today will still be beautiful.

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    In Amlanjyoti Goswami’s third poetry collection, A Different Story, the reader is the ‘owner of the universe’ and ‘all things bright and beautiful’. Mirroring slices of a life spent immersed in the rare solace one finds only in the arts, the poems are contemplative and bathed in the light of strange nostalgia. Ghosts wander these stanzas looking for cups of chai and simple comfort, as do crows, tired elephants and even the beloved dead.
    Here, a bonesetter can right the universe if the angle agrees. A lawyer persona asks Krishna and Arjuna questions on the ethics of war and the price of human life. Karna and Kunti reflect on the quirks of destiny. But like all good poets who don’t take themselves too seriously, Amlan sprinkles levity and wit in good measure: an elusive cigarette escapes Fellini; Basho wakes up to cold tea; odes aplenty are put aside for kebabs, cucumbers, pithas and other important loves at ‘first bite’.
    The words honour the space around them and when read aloud, they ring with a unique music that travels from the poet’s very own Guwahati and Dilli to faraway New York and even Banalata Sen’s Natore, resting along the way inside a Vinod Kumar Shukla poem. There are many books inside this one. Let the poems guide and glide you over traffic and terrible heat, over monuments and flowing rivers, through the many worlds they inhabit, ‘like a bird resting mid-flight’.

    – Sohini Basak

    $20
  • Vital Signs

    About The Book

    What happens when you pay attention to which foot leads – when you walk? Or when we really attend to the pleasures of eating, or of a changing sky? What if we realised that paradise is found all around us – Shangri La behind bus stops?

    Amlanjyoti Goswami’s poetry is full of these Vital Signs, these details of wonder. Stringing words on a high wire, his is a rare ability to pause time, so we can look, really look, and live. Even the act of repairing a shoe can be meditative and philosophical in his hands. And within the glimpses of grand ideas there is a humility, a reminder that life is there to be felt, touched, lived, in the quietest of moments.

    The laureate of ‘the idea of forever, inside an instant’, Amlan’s poetry carries within it, that most unfashionable of qualities – a sense of grace – but also the quiet wisdom that a life is a series of sensations that become memories. He shows us how the mythic can be ordinary, and how the ordinary becomes mythic. –Rishi Dastidar

    $16
  • River Wedding

    About the Book

    The hundred pages of this collection give scope enough to show the generosity of Amlanjyoti Goswami’s perception of the world. This is both intimate and ambitious, paying attention to the gentle nuances of family life without losing sight of the disturbing ways that history unfolds. Moments of revelatory strangeness are often entered through a child’s viewpoint – ‘sunlight talks to Zenzi…’ – but the effect never sentimental. The whole collection could be dedicated, in the delicate wording of a poem simply titled Lunch: ‘To life, more life. // The kind that,like a child, / takes in a morsel, when nobody’s looking.’ The deeper messages speak quietly, but all the more convincingly for that, and the points of arrival are not grand visions but ‘a fine ordinariness’. What renders this quality fine is Goswami’s sure and economical way with language – ‘we wear the dusk of sorry news’, or the blind flautist’s sensation of ‘the grain in the wood, the press and leave / of my fingers’. There is no postcolonial uncertainty in this marrying of Indian perspectives and the English language, whose literary heritage is graciously acknowledged, with nods to Soyinka and Achebe, to Walcott and even (with a healthily wry smile) to Matthew Arnold when he turns up in a second-hand bookstall in Chandni Chowk. Rather, there is a generous welcome to the world – with the freshness of an outsider’s view sometimes, but always with a sense of hospitality. -Philip Gross

    $16