| Author | |
|---|---|
| Imprint | |
| Publication Year | 2015 |
| Language | English |
| Edition | 1 |
| Binding | Paperback |
| Pages | 106 |
First Infinities
$12
About the Book
Hell, or a state very much like it, does feature in Nambisan’s poetic underworld, which is deep, intricate and enticing. …… – From the Preface by Adil Jussawala Nambisan’s view of humankind is bleak, his view of the possibilities of poetry even bleak
Related products
-
Grab your heart & follow me
$0About the Book
“In my wonderland, there are only beginnings, ‘there is no end’. Plunge into this book of?poems by Claus Ankersen where cat-gods rule, babies are born with stargates for eyes, kisses are catalogued and the 12th pen writes of celebratory sins. Expand the eternity of now. Be nomad, tiger, ‘soulhuntress.’ Head-dive into the mysteries of the world. Dance
-
Durable Transit
$22About the Book
Ravi Shankar’s poems are immortal in the flesh, finding in The life of the mind its interpretations, its instrumentality. The surpassing, transient, lyrical moment; and in the life of the World’s body the permanent, unflinching presence of thought, Unconfined by time and space. They are the verbal artifacts of a Singular, many-sided, and distinguished consciousness.Pulitzer Prize winner Vijay Seshadri Engorged with image, thick, viscous and churning, Ravi Shankar’s Poems have the density of mercury as well as its fluidity and Mobility…The energy is visceral. The language is restless, hungry For surprise, the register swinging between the formal and the Demotic (both American and Indian). Underlying this is an Almost voluptuous need to embrace myth, history, metaphysics And pop culture, and bring all of it into a single book, and Sometimes a single poem. This is matched by an alertness to form with references ranging from the Bop to the pada — making for A playful, stylistically supple poetry. – Arundhathi Subramaniam Ravi Shankar’s poems have a fine-tuned sense of form, a rare Delight in language. Through wit and abstraction, they reveal a Metaphysics of longing, binding us to the elements of our moving World. – Meena Alexander
Ravi Shankar is truly, now, one of America’s finest younger poets.-Dick Allen
-
Hieroglyphs
$29About the Book
Hieroglyphs is a translation of Sahitya Akademi Award winning collection in Marathi- Chitralipi by Vasant Abaji Dahake. It has been translated into the English by Rahee Dahake.
-
The Owl and the Laughing Buddha
$12About the Book
The poems in The Owl and the Laughing Buddha bring a ‘lighthouse sweep of attentiveness’ to their subjects. This is a book about noting, from the title poem’s companionable but contrasting figures on a writing desk to the devastating aftermath of a cloudburst in the mountains, and from a flier’s eye-view to a walker’s – and a mole’s. Here are poems interested in gods and figures of myth, and in observing houses, trees, birds and other creatures in a changing neighbourhood; poems that talk shop with fellow poets and respond to works of art and culture; and poems that watch our responses to the daily catastrophes that sometimes constitute ‘news’ – whose interest is no less a matter of whimsy, perhaps, than some of the tales narrated in the final section of the book. Yet the poems rest on an implicit conviction that everything must be given its due and treated seriously – though not solemnly, for it is mirth, after all, that is the laughing Buddha’s centre of gravity. Treading margins between the real and the imagined, the concerned and the tongue-in-cheek, this is Menon’s third collection of poems.
-
Last-Ditch Ecstasy
$14About the Book
Adrian Grima in collaboration with his talented and unusually resourceful translator, Albert Gatt – has produced a rich and memorable compilation of poems. Their geographical and emotional stew is international in its flavours yet always Maltese in its complex marinations. Grima succeeds in being – and these are potent combinations – both lyrical and true-to-life, both tender and unblinking, both comforting and challenging. His collection is a thought-provoking joy.- Jim Crace
How can the soul survive the world’s brutality. This is the essential, unanswerable question that Adrian Grima asks in and through his poems, beautifully translated from the Maltese by Albert Gatt. Taut with unexpected collusions, the poems walk the tightrope tensions of time and space. Turmoil, both emotional and political, is contained within the ascetic rigour of the lines; the mysteries of the distant are brought closer through eyes and lips, taste and touch. In Grima’s world, a lull can be as keen as a knife, blood can be the ultimate betrayal. An arterial anxiety courses through his work. Between “thistle and sun”, between skin and skin, between “departure and return”, the poet repeatedly alerts us to the heart-breaking fragility of the body, besieged. Coexistent with his bruising awareness of damage is his faith in contact, in simple human pleasures, a conversation, a pot of flowers, a meal. Deeply intelligent and moving, here is a book with “sky in its wings, migration in its heart”. Read it, be shattered, then soar.- Sampurna Chattarji
-
