Miguel-Manso has published 11 books of poetry since his debut, Contra a manhã burra(2008). His critically acclaimed collections include Santo subito (2010), Ensinar o caminho ao diabo (2012), Tojo: Poemas escolhidos (2013), Persianas (2015) and Mortel (2018). He has collaborated with several theatre companies and directors, and has been invited as a participating speaker to literary festivals, lectures and poetry readings, in and outside of Portugal. He has written, produced and directed (in collaboration with João Manso) the feature film Bibliography (2013) – a journey on a raft down two Portuguese rivers and through five hundred years of literature.
Sampurna Chattarjiis a poet, novelist and translator. Her sixteen books include seven poetry titles, the most recent being Space Gulliver: Chronicles of an Alien (HarperCollins, 2015); Elsewhere Where Else / Lle Arall Ble Arall (Poetrywala, 2018), co-authored with Eurig Salisbury; and Over & Under Ground in Mumbai & Paris (Context, Westland Publications, 2018), the result of a collaboration with poet Karthika Naïr, illustrated by Joëlle Jolivet and Roshni Vyam. Her translation of Joy Goswami’s Selected Poems is a Harper Perennial; and Wordygurdyboom! – her translation of Sukumar Ray – is a Puffin Classic. She is currently Poetry Editor of The Indian Quarterly.
Margarida Vale de Gato translates, writes, teaches and researches. She is an Assistant Professor in Translation and American Literature in ULisboa. As a literary translator, she has produced versions of French and English canonical texts into Portuguese (Sarraute, Michaux, Carroll, Yeats, Twain, Kerouac, Munro). Her most recent academic publications include a chapter for The Oxford Handbook of Edgar Allan Poe, and an article in META on her translation of Lolita (both 2018). She has published the poetry collections Lançamento (2016) and Mulher ao Mar (2010), with the enlarged editions Mulher ao Mar Retorna (2013) and Mulher ao Mar e Grinalda(2018)
Dinkar Manwar (1965) is a poet, editor and an artist.
He co-edits a Marathi magazine- Atirikt, which is dedicated to Literature of the Nineties and the Post-Nineties era.
He was on the editorial board of Shabdved, published from Shegaon.
Dinkar Manwar’s poems have been published in various literary magazine like – Shabdved, AbhidhaNantar, Khel, Navakshar Darshan, Anustubh, Kalnirnay, Mukt Shabd and many others.
His poems have also been translated and published in Hindi and English too.
Manwar’s works of art have appeared in his books of poetry, namely- Drushya Naslelya Drushyat, Popular Publication, Mumbai (2014) and Ajunahi Barach Kahi Baaki, by Poetrywala, Mumbai (2016).
Drushya Naslelya Drushyat has been into English by Nitin Wagh and titled- Between the Lines – The Undeciphered Script of Khandav Van, August 2017.
Manwar has won the 1. Barashiv Sahitya Puraskar,2016 for Drushya Naslelya Drushyat. 2.The State Government – Kavi Keshavsut Kavya Puraskar ,2016 for Ajunahi Barach Kahi Baaki and the 3. Gadhinglaj Nagar Parishad Pujya Sane Guruji Sahitya Puraskar ,2017 for Ajunahi Barach Kahi Baaki.
Kersy Katrak was born in Bombay in 1936, was ordained a Parsi priest at 12, and began writing poetry at 16. Mentored by Nissim Ezekial,Katrak was one of the finest poets published in the Illustrated weekly of India in the early post-independence years. In 1965, he founded MCM,the agency that went on to spearhead a creative revolution in Indian advertising. Katrak published four volumes of collected verse from 1969 through the next two decades: A Journal of the Way (1969) Diversions by the Wayside (1969) Underworld (1979) Purgatory: Songs from the Holy Planet (1984) He also published a book of spiritual essays, Five Little Sermons Went To Market (1971), co-written with his wife, Usha.
Indran Amirthanayagam writes in English, Spanish, French, Portuguese and Haitian Creole. He has published thirteen poetry collections thus far, including The Elephants of Reckoning (Hanging Loose Press,NY,1993) which won the 1994 Paterson Prize in the United States, Uncivil war (Tsar/now Mawenzi House, Toronto,2013) and The Splintered Face: Tsunami Poems (Hanging Loose Press,NY,2008). His latest books are IL n’est de solitude quel’ile lointaine (Les Editions, Haiti,2017), Pwezi a Kat Men, written with Alex Laguerre (Delince Editions, Miami,2017), and Ventana Azul (El Tapiz del Unicornio, Mexico City,2016). Two new manuscripts, Paolo 9, a suite of poems about the case of Paolo Guerrero and the World Cup and En busca de posada are forthcoming in 2019.
Eunice de Souza (1940) is the author of several books of poems. Her groundbreaking debut Fix was published in 1979 followed by Women in Dutch Painting (1988), Ways of Belonging (1990), A Necklace of Skulls (2009). Her poems are spare, unsettling, ironic, lyrical, referencing a landscape striated with relationships to city, lovers, pets and poetry itself. If Fix established her as a poet with an original and remarkable voice, learn from the Almond Leaf settles that reputation with a volume of poems more distilled, extracted, potent and ultimately utterly wise. Over the last forty years Eunice de Souza has distinguished herself as an inspirational teacher, influencing generations of undergraduates at St Xavier's College, Mumbai; as a scholar of illuminating research into poetry written in English in the late eighteenth and early nineteenth centuries, and poetry written by women; as an anthologist of several important collections of poetry the latest These My Words: The Penguin Book of Indian Poetry (2012) with Melanie Silgardo. She has also written two works of fiction Dangerlok (2001) and Dev and Simran (2003) as well as several books for children. She lives in Mumbai.
Adrian Grima (Malta,1968) is a prizewinning author of collections of poetry and short stories in Maltese. He has read his poetry in many countries in the Mediterranean and Europe, and also in Australia, India, Nicaragua, and Bali and Makassar in Indonesia. Anthologies of his poetry in translation have appeared in Arabic, English, German, Italian and French. Adrian Grima teaches Maltese literature and representations of the Mediterranean at the University of Malta. Last-ditch Ecstasy is a translation by Albert Gatt of his most recent collection of poems in Maltese, Klin u Kaprii Ora (KKM 2015).