| Author | |
|---|---|
| Imprint | |
| Language | |
| Edition | 1 |
| Publication Year | 2012 |
| Binding | |
| Pages | 102 |
Body Language
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About the Book
Elegy One by one they fall away, Some gently like brown leaves. Others with gnarled roots Hold fast to their Bleak and emptied plot To which no water or salt, Prayer or miracle can Grant another lease. But sure as the turning days, There will be
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Nabanita Kanungo’s collection is simultaneously an elegy and a victory song. A documentation of the heartbreaks that have plagued our subcontinent for the past century or so, her poems re-define the lyric form, chronicling the unfolding of a personal self framed by larger political events. Here, history appears as a long, continuous saga of violence, in which Partition memories remain juxtaposed within the everyday lived realities and violences of neoliberal Indian cities. With this collection, Kanungo provides a ghostly account of quotidian survival?stories that remain forever out of official histories?and re-defines the meaning of Anglophone India political poetry of contemporary times.Nabanita Kanungo’s poems ache with an awareness of how poetry cannot truly evoke anything but absence, of how ‘It rains and words say nothing’; ‘Only memory is green’. In this tragedy, Kanungo finds the only solace available to the poet: a luminous quality in the every day, the ‘Mirror where things are simply written with light’. These poems work in the liminal spaces of the world and of the self, between the present moment and its turning into memory, between words and rain.
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b.1967 is an internationally well-known Marathi poet, editor, publisher and translator. His published works include Chautishiparyantchya Kavita Poems Till Thirty-Four, Thambtach Yet Nahi Just Cant Stop and Ya Roommadhye Aale Ki Life Suru Hote The Moment You Enter This Room, Life Begins. His poems have been translated into English, French, Spanish, German, Urdu, Arabic, Gujarati, Bengali, Hindi, Oriya, Tamil, Telugu, Kannada and Malayalam. The celebrated poet and translator Dilip Chitre translated Chautishiparyantchya Kavita into English and titled the book Virus Alert which then has been translated into Spanish-Alarma De Virus by Zingonia Zingone and in Irish as Folireamh Vris by Gabriel Rosenstock.
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Adman, householder, mystic, public intellectual and ashram devotee, Kersy Katrak (1936-2007) has never quite received his due as a poet. Katrak’s ‘lush, provocative, and very readable’verse has, with its rare but persistent appearance in anthologies of Indian poetry in English, remained in a curious way at once unforgotten and unrecognized. This book aims, at long last,to remedy this state of affairs. It is the very first comprehensive collection of Katrak’s poetic work, most of it long out of print,some of it previously published only in hard-to-find periodicals. Katrak’s poetry resonates powerfully with Wallace Steven’s observation that ‘It is equal to living in a tragic land, To live in a tragic time’. His concerns remain,palpably,our concerns: a search for the everyday alchemy that might translate the visceral potentials of collective life into generative forms of belonging. This problem of the relation between inner energies and outer forms is at the core of Katrak’s work as a poet and a mystic. And it is what binds his esoteric commitments to his career in advertising. The anthropologist William Mazzarella’s critical introduction to the present volume is the first substantive exploration of these connections in Katrak’s life and work.









