| Author | |
|---|---|
| Imprint | |
| Publication Year | 2011 |
| Language | English |
| Edition | 1 |
| Binding | Paperback |
| Pages | 88 |
Skin, Spam & Other Fake Encounters
$6
Out of stock
About the Book
The Psychiatrist Considers My Multiplex Mind At night I watch five different films On five different screens Of my multiplex mind Spider-man consults George Bush To save Titanic on one On another screen Ram Gopal Verma’s Bhoot Comes for
Related products
-
The Acrobat Of Oblivion
$10About the book
Maximum Security Guilt is a jail built around the soul brick on brick it holds back the free movement of the mind, the simple gesture of the heart. Brick on brick the sinful bricklayer learns the mastery of the engineer, of the painstaking.
-
The Owl and the Laughing Buddha
$12About the Book
The poems in The Owl and the Laughing Buddha bring a ‘lighthouse sweep of attentiveness’ to their subjects. This is a book about noting, from the title poem’s companionable but contrasting figures on a writing desk to the devastating aftermath of a cloudburst in the mountains, and from a flier’s eye-view to a walker’s – and a mole’s. Here are poems interested in gods and figures of myth, and in observing houses, trees, birds and other creatures in a changing neighbourhood; poems that talk shop with fellow poets and respond to works of art and culture; and poems that watch our responses to the daily catastrophes that sometimes constitute ‘news’ – whose interest is no less a matter of whimsy, perhaps, than some of the tales narrated in the final section of the book. Yet the poems rest on an implicit conviction that everything must be given its due and treated seriously – though not solemnly, for it is mirth, after all, that is the laughing Buddha’s centre of gravity. Treading margins between the real and the imagined, the concerned and the tongue-in-cheek, this is Menon’s third collection of poems.
-
Says Tuka-Selected poems of Tukaram
$30About the Book
Tukaram was born in 1608 and vanished without a trace in 1650. what little we know of his life is a reconstruction from his own autobiographical poems, the contemporary poetess Bahinabai’s memoirs in verse, and the later biographer of Marathi poet-saints, Mahipati’s account. The rest is all folklore, though it cannot be dismissed on those grounds alone. Modern scholars such as the late V. S. Bendre have made arduous efforts to collate evidence from disparate contemporary sources to establish a well-researched biography of Tukaram. But even this is largely conjectural.
Tukaram is therefore not only the last great Bhakti poet in Marathi but he is also the first truly modern Marathi poet in terms of temper and thematic choice, technique and vision. He is certainly the most vital link between medieval and modern Marathi poetry. Tukaram’s stature in Marathi literature is comparable to that of Shakespeare in English or Goethe in German. He could be called the quintessential Marathi poet reflecting the genius of the language as well as its characteristic literary culture. There is no other Marathi writer who has so deeply and widely influenced Marathi literary culture since. Tukaram’s poetry has shaped the Marathi language, as it is spoken by 70 million people today and not just the literary language. Perhaps one should compare his influence with that of the King James version of the Bible upon speakers of the English language. For Tukaram’s poetry is also used by illiterate millions to voice their prayers or to express their love of God.
-
Brouhahas Of Cocks
$15About the Book
Hardback awakening The air is thick, and has revived my books, anticipating the first spell of a Bombay monsoon. Ambient moisture has slaked pages that shuffle and twist, arise to a wakefulness, unleaving. Feeling the discomfort of nearness,
-
Mutatis Mutandis
$10About the Book
Through sex-dolls and addictions, for whom poetry can be just another narcotic throbbing in your vein. Khandekar’s man has stretched himself to the limits of the Machiavellian primate, modifying his behaviour and absurdum to fit in with the changing patterns of a world spinning out of control on the wheel of progress. Meet the ghost in the machine Sanjeev Khandekar’s poetry grins impishly, then socks you in the eye. It makes you feel horns on your head and inspect your skin for green stripes. Khandekar breaks conventions of belief, language and genre to offer a world with no certainties, where you are just a gob of self-awareness floating in a matrix of virtual reality, mutating every moment to balance your inner needs with social expectations. You are the Mutatis Mutandis Man the human ‘with necessary changes’ carried out the modified man tossed between inscrutable science and enigmatic religious faith, the creature who gropes for love and creativity that may lure you towards self-destruction. Meet Khandekar’s Monster and see if he seems familiar.
Khandekar’s poetry, like his art, is disturbingly unconventional; and Abhay Sardesai and Nandita Wagle’s excellent translation from Marathi now brings it to the English reader.
-Antara Dev Sen
