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Sukrita

Sukrita Paul Kumar, poet and critic, was born and brought up in Kenya. She held the prestigious Aruna Asaf Ali Chair at Delhi University. Formerly, a Fellow of the Indian Institute of Advanced Study, Shimla, she was an invited poet at the International Writing Programme, Iowa, USA and Hong Kong Baptist University. Honorary faculty, Durrell Centre at Corfu, Greece, she has been a recipient of many prestigious fellowships and residencies.
Her recent collections of poems amongst others are Vanishing Words, Country Drive (with the Canadian poet Yasmin Ladha), Dream Catcher, Untitled, Rowing Together (with Savita Singh), and Poems Come Home (with Hindustani translations by Gulzar). She is the “Writer in Context” Series co-editor, being published by Routledge UK. Her co-edited book on the eminent writer Krishna Sobti is the first in the series. Amongst her many critical books are Narrating Partition and Conversations on Modernism. Her translations include Nude, poems by Vishal Bhardwaj and the novel, Blind (HarperCollins) by Joginder Paul. Guest editor of journals such as Indian Literature, Manoa (Hawaii) and Muse India, she has held solo exhibitions of her paintings. Many of her poems come out of her experience of working with the homeless, street children and Tsunami victims. She keeps regular appointments with herself amidst mountains, forests, open skies and wide seas to keep her senses alive.

  • Salt & Pepper

    About the Book

    Salt and Pepper, Sukrita’s selected poems, present an eloquent, word-induced
    silence articulated with remarkable ease. In the centre of the
    multisensory, reflective silence dwells memory that pesters and heals, and
    shapes a deeper understanding of self and existence, taking one beyond the
    mere unmasking of a past. What adds luminosity to Sukrita’s densely textured
    poems is the layered and fluid exploration of life experience, without any sense
    of closure or finality. — Shafey Kidwai

    —-

    Words are not just words, there is a long journey of emotion, thought and
    experience behind them with which Sukrita weaves the weft and the warp of her
    poems in shades of Salt and Pepper.— Nirupama Dutt


    Girija Sharma: Silence emerges in these poems as a powerful metaphor in the interplay of
    images which are impressionistic, symbolic and existential all at once. All noise is cancelled
    –what remain are words in the purest form building a symphony of silence.


    —-

    Madhavi Apte: Sukrita’s poems are on the one hand illusive and on the other potent like her
    own modern, abstract paintings. Most poems combine the elements of a mystique, the erotic
    and the emotional, personal and impersonal. The poems are grounded and yet ethereal.
    Basudhara Roy : Many-layered, teasing in its apparent simplicity, and haunting in its
    profundity…Animated by her painter’s consciousness, Sukrita’s images are terse, pictorial
    and at the same time, both concrete and abstract.
    The compression, precision, lightness and luminosity of these poems is undeniable. There is,
    in them, a simplicity, intensity and finesse that characterizes classical Eastern forms like the
    haiku and the tanka.

    —–
    Shyista Khan: the poems reflect an unmediated subjectivity… The
    poetic consciousness borders between self-effacement and self
    assertion….

    $20