Chukichya Bhashet Janmala Aalo

About the Book

Saleel Wagh’s poetry represents a "post-nineties" (Post 90’s) shift in Marathi literature, characterised by a break from traditional lyricism toward a more fragmented, analytical, and metropolitan sensibility. His work explores the friction between a deeply rooted historical identity and the disorienting acceleration of the modern, globalised world.
1. The Linguistic Crisis: "Born in the Wrong Language" The central theme of Wagh’s work is the concept of linguistic inadequacy, as seen in the title "Chukichya Bhashet Janmala Alo" (I was born in the wrong language).
The Mismatch: This suggests that the inherited Marathi tongue is insufficient to articulate
the hyper-real, digital, and corporate experiences of the 21st century.
A New Idiom: By acknowledging this "wrongness," Wagh creates a space where slang, technical terms, and abstract philosophical inquiries can coexist with standard Marathi.
2. Temporal and Spatial Dislocation Wagh frequently uses imagery associated with time and physics to describe psychological

states:
 The Mechanical Self: References to the "Minute hand" (Minutekata) and the act
of "jumping" suggest a life lived in increments of high-pressure bursts rather than a
continuous flow.
 Hyper-awareness: The phrase "Kanat pran alela" (Life-force gathered in the ears)
depicts a state of modern anxiety and extreme sensory alertness.
 Global Scattering: The poet observes that "the world is everywhere" and that the
self—likened to scattered beads—is dispersed across the world (Jagbhar), signalling
the loss of a localised, stable home.
3. Historical vs. Modern Landscape
A striking feature of Wagh's poetry is the juxtaposition of ancient geography with modern
existential dread:
 Ancient Markers: By invoking "Bharatvarshe,"
"Jambudvipe," and "Dandakaranye," he places the reader in a vast, mytho-
historical timeline.
 The Modern Ghost: Within these sacred spaces, he positions "Saleel
Prete" (Saleel’s ghost/corpse), suggesting that the modern individual exists as a
hollow or spectral figure within their own heritage.
4. The Fragmentation of Thought
Wagh’s imagery often focuses on the breakdown of unity:
 The Broken String: He writes of the "string of the mind breaking" (Manachi maal
phutte), leading to a state where thoughts and identities—represented
as "beads"—are lost or scattered.
 Sudden Flux: The description of "rafters whirring rapidly" (Sapasap vase phirle)
mirrors the chaotic, shifting architecture of both the modern city and the modern
mind.