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About the Book
Salt and Pepper, Sukrita’s selected poems, present an eloquent, word-induced
silence articulated with remarkable ease. In the centre of the
multisensory, reflective silence dwells memory that pesters and heals, and
shapes a deeper understanding of self and existence, taking one beyond the
mere unmasking of a past. What adds luminosity to Sukrita’s densely textured
poems is the layered and fluid exploration of life experience, without any sense
of closure or finality. — Shafey Kidwai
Words are not just words, there is a long journey of emotion, thought and
experience behind them with which Sukrita weaves the weft and the warp of her
poems in shades of Salt and Pepper.— Nirupama Dutt
Girija Sharma: Silence emerges in these poems as a powerful metaphor in the interplay of
images which are impressionistic, symbolic and existential all at once. All noise is cancelled
–what remain are words in the purest form building a symphony of silence.
Madhavi Apte: Sukrita’s poems are on the one hand illusive and on the other potent like her
own modern, abstract paintings. Most poems combine the elements of a mystique, the erotic
and the emotional, personal and impersonal. The poems are grounded and yet ethereal.
Basudhara Roy : Many-layered, teasing in its apparent simplicity, and haunting in its
profundity…Animated by her painter’s consciousness, Sukrita’s images are terse, pictorial
and at the same time, both concrete and abstract.
The compression, precision, lightness and luminosity of these poems is undeniable. There is,
in them, a simplicity, intensity and finesse that characterizes classical Eastern forms like the
haiku and the tanka.
Shyista Khan: the poems reflect an unmediated subjectivity… The
poetic consciousness borders between self-effacement and self