Author | |
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Imprint | Poetrywala |
Publication Year | 2018 |
Language | Marathi |
Edition | 1 |
Binding | Paperback |
Pages | 42 |
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40 under 40
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“The Indian poetry scene has always been considered to be lively, but no better evidence of this fact exists than 40/40. Here we have forty contemporary Indian poets under forty years old, and what we encounter is extraordinarily timely and compelling, providing us the trace of a newly emergent lyric consciousness, simultaneously local and cosmopolitan. Here we have Akhil Katyal reminiscing about being ten years old and growing up in the shadow of the AIDS epidemic, “battling the stars of a virus”; we have Chandramohan S’ witty “Plus-Size Poem” that “does not opt for offshore liposuction”; and we have the speaker of Ishita Basu Mallik’s sonnenizio about going commando under her jeans and turning her beloved into ” an electric remnant bombarding” her “bones with wavelengths.” From Jennifer Robertson’s prose poem about Jesus and Jaipur, Rohan Chhetri’s universe in braille, or Shelly Bhoil’s typographical experimentation, this anthology shows us the pulse of a generation coming of age in an era of mass media and Hindu mythology. I have no doubt that this will be one of those books that when looked back on will have been proven to be seminal and indispensable, introducing us to both the present and the future of Indian poetry.” -Ravi Shankar, Pushcart Prize winning poet and Founding Editor of Drunken Boat * THIS ANTHOLOGY HAS BEEN EDITED BY NABINA DAS & SEMEEN ALI
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The Metaphysics of the Tree-Frog’s Silence
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It is our loss that we did not know Ajithan Kurup’s work when he was alive, and we did not celebrate his brave and lonely project: to render the unsayable into language. He cannot be imitated or replaced, only admired.- Jeet Thayil
To enter Ajithan G. Kurup’s poetic world is to risk, in the words of his title poem, dancing “headlong down precipices.” It’s rare to find a contemporary poet who dares near-unattainable heights and fearful depths on dancing words – words that may sometimes seem far-fetched or invented but which, in fact, are inspired variants or archaic forms of those more usually used: “sempstress” instead of “seamstress”, “enow” instead of “enough”, “trode” instead of “trod”.-ADIL JUSSAWALLA
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Brouhahas Of Cocks
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Hardback awakening The air is thick, and has revived my books, anticipating the first spell of a Bombay monsoon. Ambient moisture has slaked pages that shuffle and twist, arise to a wakefulness, unleaving. Feeling the discomfort of nearness,
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Scripted in the Streams
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There is an intense humanity in these poems by Rati Saxena, a humanity that ennobles all of us who are humble enough to listen. There is an empathy is these poems for all living things – for the spider, for the ant, for the owl – and a similar understanding of all things that may not be alive. -Alan Titley, Professor Emeritus of Modern Irish, University College, Cork It has travelled a long, long way this voice?and we welcome it as we would do a stranger, into the West where despair, decline and decay are seemingly permanent lodgers, Saxena’s lyrics arrive like a fresh breeze. New-born, fresh and smelling of the earth, her poems draw on the well of Indo-European tradition, the intimate links that bind the female psyche and the landscape in all its fecundity. -Dr Michel h’Aodha, University of Limerick Saxena allows for different aeons to melt into each other. She creates a world in which humans interact with insects and animals. We are all of and from the same source. The image of the snake is a powerful one to explain the frustrations of modern women in today’s India. Her vision makes a mockery of the boundaries around our lives and we sail with her through a magical world, coming into contact with the source of life itself. There are echoes of Flann O’ Brien in the delightful poem about the bicycle of her youth. Taboos and rituals will not enslave her and poetry finds its way into the washing on the line and the fire that bakes our daily bread. – Ceaiti Ni Bheildiuin, poet In this selection of the poems of Rati Saxena we are drawn into a world of imagery where deep respect is shown for the low -Brian O Conchubhair, University of Notre Dame, USA