| Author | |
|---|---|
| Imprint | |
| Language | |
| Edition | |
| Publication Year | Feb 2019 |
| Binding | |
| Pages | 64 |
$12
About the Book
Indran Amirthanayagam has been writing poems that will outlive his time, and they have been translated already into several world languages. These new poems both look bravely into the future as they turn back, at the same time, to the remembered mists of his childhood. Indran embraces various contradictions in his capacious heart and mind, that have enabled him to love in many languages, to cross all sorts of borders, geographic, linguistic, and political, and to champion liberty of expression wherever he goes. Indran?s is a journey beyond limits, and these poems take you much of the way along with him on his restless exploration of his multiple worlds.
-Shashi Tharoor
Related products
-
Scripted in the Streams
$12About the Books
There is an intense humanity in these poems by Rati Saxena, a humanity that ennobles all of us who are humble enough to listen. There is an empathy is these poems for all living things – for the spider, for the ant, for the owl – and a similar understanding of all things that may not be alive. -Alan Titley, Professor Emeritus of Modern Irish, University College, Cork It has travelled a long, long way this voice?and we welcome it as we would do a stranger, into the West where despair, decline and decay are seemingly permanent lodgers, Saxena’s lyrics arrive like a fresh breeze. New-born, fresh and smelling of the earth, her poems draw on the well of Indo-European tradition, the intimate links that bind the female psyche and the landscape in all its fecundity. -Dr Michel h’Aodha, University of Limerick Saxena allows for different aeons to melt into each other. She creates a world in which humans interact with insects and animals. We are all of and from the same source. The image of the snake is a powerful one to explain the frustrations of modern women in today’s India. Her vision makes a mockery of the boundaries around our lives and we sail with her through a magical world, coming into contact with the source of life itself. There are echoes of Flann O’ Brien in the delightful poem about the bicycle of her youth. Taboos and rituals will not enslave her and poetry finds its way into the washing on the line and the fire that bakes our daily bread. – Ceaiti Ni Bheildiuin, poet In this selection of the poems of Rati Saxena we are drawn into a world of imagery where deep respect is shown for the low -Brian O Conchubhair, University of Notre Dame, USA
-
Durable Transit
$22About the Book
Ravi Shankar’s poems are immortal in the flesh, finding in The life of the mind its interpretations, its instrumentality. The surpassing, transient, lyrical moment; and in the life of the World’s body the permanent, unflinching presence of thought, Unconfined by time and space. They are the verbal artifacts of a Singular, many-sided, and distinguished consciousness.Pulitzer Prize winner Vijay Seshadri Engorged with image, thick, viscous and churning, Ravi Shankar’s Poems have the density of mercury as well as its fluidity and Mobility…The energy is visceral. The language is restless, hungry For surprise, the register swinging between the formal and the Demotic (both American and Indian). Underlying this is an Almost voluptuous need to embrace myth, history, metaphysics And pop culture, and bring all of it into a single book, and Sometimes a single poem. This is matched by an alertness to form with references ranging from the Bop to the pada — making for A playful, stylistically supple poetry. – Arundhathi Subramaniam Ravi Shankar’s poems have a fine-tuned sense of form, a rare Delight in language. Through wit and abstraction, they reveal a Metaphysics of longing, binding us to the elements of our moving World. – Meena Alexander
Ravi Shankar is truly, now, one of America’s finest younger poets.-Dick Allen
-
Frazil
$16About the Book
Menka Shivdasani’s poetry is both original and strikingly unusual, not just her tangential way of putting things across, but also how thought process and imagination run away with the poem, and make it exciting. An experience is translated into another experience and then gets mixed with fancy in a juice blender. Chopping lettuce, she’ll be assailed by visions—burning bride, politician, a ‘wounded Hiroshima’, and finally a finger-chopping Nazi. A poem about separation will end with her handling ‘alien porcelain’ at a tea party. For over three decades the excitement she brings to her fine poetry has never deserted her.
-
The Metaphysics of the Tree-Frog’s Silence
$12About the Book
It is our loss that we did not know Ajithan Kurup’s work when he was alive, and we did not celebrate his brave and lonely project: to render the unsayable into language. He cannot be imitated or replaced, only admired.- Jeet Thayil
To enter Ajithan G. Kurup’s poetic world is to risk, in the words of his title poem, dancing “headlong down precipices.” It’s rare to find a contemporary poet who dares near-unattainable heights and fearful depths on dancing words – words that may sometimes seem far-fetched or invented but which, in fact, are inspired variants or archaic forms of those more usually used: “sempstress” instead of “seamstress”, “enow” instead of “enough”, “trode” instead of “trod”.-ADIL JUSSAWALLA
-
The Owl and the Laughing Buddha
$12About the Book
The poems in The Owl and the Laughing Buddha bring a ‘lighthouse sweep of attentiveness’ to their subjects. This is a book about noting, from the title poem’s companionable but contrasting figures on a writing desk to the devastating aftermath of a cloudburst in the mountains, and from a flier’s eye-view to a walker’s – and a mole’s. Here are poems interested in gods and figures of myth, and in observing houses, trees, birds and other creatures in a changing neighbourhood; poems that talk shop with fellow poets and respond to works of art and culture; and poems that watch our responses to the daily catastrophes that sometimes constitute ‘news’ – whose interest is no less a matter of whimsy, perhaps, than some of the tales narrated in the final section of the book. Yet the poems rest on an implicit conviction that everything must be given its due and treated seriously – though not solemnly, for it is mirth, after all, that is the laughing Buddha’s centre of gravity. Treading margins between the real and the imagined, the concerned and the tongue-in-cheek, this is Menon’s third collection of poems.
-
Last-Ditch Ecstasy
$14About the Book
Adrian Grima in collaboration with his talented and unusually resourceful translator, Albert Gatt – has produced a rich and memorable compilation of poems. Their geographical and emotional stew is international in its flavours yet always Maltese in its complex marinations. Grima succeeds in being – and these are potent combinations – both lyrical and true-to-life, both tender and unblinking, both comforting and challenging. His collection is a thought-provoking joy.- Jim Crace
How can the soul survive the world’s brutality. This is the essential, unanswerable question that Adrian Grima asks in and through his poems, beautifully translated from the Maltese by Albert Gatt. Taut with unexpected collusions, the poems walk the tightrope tensions of time and space. Turmoil, both emotional and political, is contained within the ascetic rigour of the lines; the mysteries of the distant are brought closer through eyes and lips, taste and touch. In Grima’s world, a lull can be as keen as a knife, blood can be the ultimate betrayal. An arterial anxiety courses through his work. Between “thistle and sun”, between skin and skin, between “departure and return”, the poet repeatedly alerts us to the heart-breaking fragility of the body, besieged. Coexistent with his bruising awareness of damage is his faith in contact, in simple human pleasures, a conversation, a pot of flowers, a meal. Deeply intelligent and moving, here is a book with “sky in its wings, migration in its heart”. Read it, be shattered, then soar.- Sampurna Chattarji
