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Publication Year | 2014 |
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Pages | 108 |
In Other Words
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Collected Poems
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Adman, householder, mystic, public intellectual and ashram devotee, Kersy Katrak (1936-2007) has never quite received his due as a poet. Katrak’s ‘lush, provocative, and very readable’verse has, with its rare but persistent appearance in anthologies of Indian poetry in English, remained in a curious way at once unforgotten and unrecognized. This book aims, at long last,to remedy this state of affairs. It is the very first comprehensive collection of Katrak’s poetic work, most of it long out of print,some of it previously published only in hard-to-find periodicals. Katrak’s poetry resonates powerfully with Wallace Steven’s observation that ‘It is equal to living in a tragic land, To live in a tragic time’. His concerns remain,palpably,our concerns: a search for the everyday alchemy that might translate the visceral potentials of collective life into generative forms of belonging. This problem of the relation between inner energies and outer forms is at the core of Katrak’s work as a poet and a mystic. And it is what binds his esoteric commitments to his career in advertising. The anthropologist William Mazzarella’s critical introduction to the present volume is the first substantive exploration of these connections in Katrak’s life and work.
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Light, the Temptation
About the Book
In Zingonia’s new poems it is a similar exercise that is happening. Instead of justifying the ways of God to men, these poems seem to me to be the ways of men and women to God. This daring act of a moment of surrender to the pristine unity of every thing cements the diverse poems here into one epic of mutations and metamorphoses. In this world the persona an Algerian beggar can merge into one of Jesus. Atoms and stars partake of the same reality as a flower. The fractured fates of Shen Fu, Maurice Utrillo and Max Jacob, which are acts of recurrent human tragedy become settings of Divine Comedy. Though the thrust of Zingonia’s poems is indubitably mystical, their mysticism goes beyond orthodoxies and heterodoxies of what is generally considered mystical. Their laconic beauty has the palpability of something militantly this- worldly as if Eternity is indissolubly in love with creations of time. At this point my words want to go back to the eloquent silence of these poems. I am sure other readers of this remarkable work will find these poems as enchanting and enlightening as I did. ‘Light, the Temptation’ is not a work to be read and abandoned. It invites us to contemplate on the rich resonances of its deceptively simple expressions in order to return the world to the world, ourselves to ourselves, meanings to our world where faceless robots are marching blindly towards irredeemable emptiness. – H S Shivaprakash (an excerpt from his introductory note)
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Frazil
About the Book
Menka Shivdasani’s poetry is both original and strikingly unusual, not just her tangential way of putting things across, but also how thought process and imagination run away with the poem, and make it exciting. An experience is translated into another experience and then gets mixed with fancy in a juice blender. Chopping lettuce, she’ll be assailed by visions—burning bride, politician, a ‘wounded Hiroshima’, and finally a finger-chopping Nazi. A poem about separation will end with her handling ‘alien porcelain’ at a tea party. For over three decades the excitement she brings to her fine poetry has never deserted her.
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Zingonia Zingonechya Kavita
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b.1967 is an internationally well-known Marathi poet, editor, publisher and translator. His published works include Chautishiparyantchya Kavita Poems Till Thirty-Four, Thambtach Yet Nahi Just Cant Stop and Ya Roommadhye Aale Ki Life Suru Hote The Moment You Enter This Room, Life Begins. His poems have been translated into English, French, Spanish, German, Urdu, Arabic, Gujarati, Bengali, Hindi, Oriya, Tamil, Telugu, Kannada and Malayalam. The celebrated poet and translator Dilip Chitre translated Chautishiparyantchya Kavita into English and titled the book Virus Alert which then has been translated into Spanish-Alarma De Virus by Zingonia Zingone and in Irish as Folireamh Vris by Gabriel Rosenstock.
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Brouhahas Of Cocks
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Hardback awakening The air is thick, and has revived my books, anticipating the first spell of a Bombay monsoon. Ambient moisture has slaked pages that shuffle and twist, arise to a wakefulness, unleaving. Feeling the discomfort of nearness,
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Bimb
About the author
Sanjeev Khandekar (1958) is a poet and a visual artist. Kavita (Granthali, 1990) a collection of his early poetry and Search Engine (Granthali, 2004). These collections have been followed by three volumes of poetry – All that I Wanna Do (Abhidha Nantar, 2005), Mutatis Mutandis (2006) & (2014) and Two Poems (2006). Khandekar?s two books, ‘1,2,3… Happy Galaxy’ and collection of present poetry ‘Smiles’ (2007) are published by Abhida Nantar in 2007. In 1982, he edited Sankalp: A collection of essays by social activists in Maharashtra .It was awarded the Marathi Sahitya Parishad award. His second book, the novel Ashant Parva (Season of Unrest, 1992), concerns itself with the construction of a politically sensitive self in post-industrial India. Khandekar is based in Mumbai.