About the Book
The essays and transcripts of Dilip Chitre brought together here are valuable in themselves as they offer a commentary on the Indian sense of tradition and the contemporary attitudes to literature. Every piece is of interest in itself. But, their greater worth lies in that they articulate the perspective of one of our most admirable poets on many issues that mattered to him. Taken together, they provide a basis for fathoming his poetry and should help us in making a more nuanced sense of it. Chitre was a fascinating poet, but it is not possible to say that his poetry was easily accessible to most of his readers. Like W. B. Yeats, he weaves in his poems experiences that arise in a given moment (such as the felling of a tree in his father’s house) together with many layers of timeless human quests and anxieties. He brings together silence and euphoria in an imagistic mix that is difficult to name with any precision. It is hence that this
volume of his comments, essays, lectures and other texts should be of importance for the lovers of Dilip Chitre’s literary works.
– Ganesh N Devy
Related products
-
The Compass Bird
$15About the Book
Observant and meditative, lit with gentle whimsy, Siddhartha Menon’s work on the animal world leads us from ornithology to ontology, detail to dazzling insight, in a wingbeat. Here is a book in which the reverie of snails, the ‘mynahness’ of mynahs, the unhurried gaze of nilgai, becomes a way to reflect on all the eternal questions—time, belonging, love, purpose, a world ‘stained with stillness’, in which ‘those who attend have the last word’. One of the most delightful new books of poetry I have read this year.
– Arundhathi Subramaniam
-
Greece, a modern Odyssey: selected essays
$24About the Book
This outstanding collection of personal essays, sharp analysis, unusual photographs, and poetic reflections focuses on Greece and its people as they found themselves in the eye of a storm that continues to shake Europe and the world. Ranging widely from economics and politics to social and environmental issues, and from cultural and diasporic interactions to literature and the arts, the essays and other materials have been put together in ways that attract, inform, and challenge the reader no matter where she or he may reside. Presenting a roster of distinguished contributors, the editors offer a variety of perspectives, points of information, and allusions, which substantially add to ongoing debates on how individuals and groups may proceed in challenging circumstances. Greece: A Modern Odyssey is being published by Mumbai-based Paperwall Media & Publishing, in memory of the late Hatto Fischer, the German poet and philosopher who lived in Greece and brought this volume together with his wife Anna Arvanitaki.
-
Nivdak AbhidhaNantar
$50About the Book
अभिधा सुरू असताना ग्लोबलायझेशझेनची प्रक्रिया सुरू झाली होती. आमच्या काही कविता आणि याच दरम्यान स्वतःला आलेलं जगण्याचं नवं भान, ग्लोबलायझेशझेनमुळेमुळे बदललेला भोवताल आणि या सर्वांमुळे उमजलेले लिहिण्याचंही नवीन भान ह्या ‘अभिधा’मधून आम्ही दिलेल्या किंवा आम्ही मिळविलेल्या काही गोष्टी.
१९९९ मध्ये अभिधा नंतर सुरू केलं तेव्हा ग्लोबलायझेशझेनचा परिणाम असलेले साहित्य आम्ही प्रसिद्ध करू असे धोरण होते आणि २०१४ साली अभिधानंतर बंद करेपर्यंत आम्ही ते लावून धरले. ग्लोबलायझेशनंतर जीवनाप्रमाणे साहित्यही बदलत होतं. हा बदल पकडण्याचा, डॉक्युमेण्ट करण्याचा, नवीन साहित्य लोकांपर्यंत पोहोचविण्याचा उद्देश होता. हा अवकाश ग्लोबलायझेशन’नंतर’चा आणि एका अर्थाने ‘अभिधा”नंतरचा’ अवकाश होता. या पुस्तकातून अभिधानंतरमध्ये प्रकाशित झालेल्या निवडक कविता, लेख, मुलाखती आणि संपादकीय देत आहोत. या सर्व लिखाणां मधून ग्लोबलायझेशन आणि डिजिटालायझेशनंतर निरंतर बदलत असलेली भाषा, संस्कृती,आणि जगणं अधोरेखित होतं. मराठीत सध्या लिहिणाऱ्या, वाचणाऱ्या, विचार करणाऱ्या, भाषेची आणि संस्कृतीची चिंता करणाऱ्या आणि भाषेसाठी झगडणाऱ्या लोकांसाठी हे पुस्तक खूप महत्त्वाचा दस्तऐवज ठरू शकेल याची खात्री आहे.
Feeling happy to see great documentation of our work in Marathi from the late nineteen nineties. Abhidhanantar was a major movement in Marathi that self-consciously highlighted the transformation of our society and culture due to the processes of the post-1989 phase of hyper globalisation that has created the world as we understand today. Our generation was at
the cusp of the dying old analogue world that the modernist and identitarian generation of the Cold War period we had inherited, and the emergent new world of digital natives we gave birth to. Our poetry, world view and thinking documents this shift and this was the periodical that provided the platform to express this discourse. It brought together and created not only new voices like Sanjeev Khandekar, Saleel Wagh, Shridhar Tilwe, Hemant Divate, Manya Joshi, Nitin Kulkarni, Mangesh Narayanrao Kale, Arun Kale, Varjesh Solanki and Nitin Rindhe among many
others but also created a new readership in Marathi.– Sachin Ketkar
-
ON THE BRINK OF THE ABYSS
$16About the Book
The fascinating aspect of Zingonia’s poem is the paradoxical unity of the two qualitatively different domains of the earthly and the spiritual. The two are interfluent. Though the culmination of the poem is in the divine love, I prefer not to read the poem in a linear way like in linear spiritual narratives such as Pilgrim’s Progress or Divina Comedia. Here, as in TS Eliot’s Four Quartets, past and future always move to the end – what is always present – and the end is in the beginning. It is pointless to trace the narrative or paraphrase Zingonia’s On the Brink of Abyss – a series of epiphanic moments of poetry at its intensest. The only justice a reader and critic can do to this wonder of a poem is to resonate with those ineffable epiphanies that have somehow slipped into language. What more can I do except to share with readers the way I
resonate with those precious moments of epiphanic agony and ecstasy. And congratulate Zingonia on this rare achievement which has no parallel in any poetry I know of.
– H.S. Shivaprakash
Poet, playwright, literary scholar and translator -
Folie Á Deux
$18About the Book
Jennifer Robertson’s first book of poems, Folie à Deux, introduces us to an assured and sophisticated new voice in the world of Anglophone poetry in India. Robertson celebrates the sensuousness, the warm flesh of language. Her poems sharpen our awareness of things viscerally experienced, our memories of things held and cherished, our desire to secure forever the ephemeral yet compelling images of photography and cinema. In her handling, the resonance of the breath crafted into sound takes concrete occupancy of its environment, becomes a percussive force; she writes: “I wonder about sound invading space, wounding, astounding space and stories rising like a Phoenix.”
Here is a poet who captivates us, enchants us into spaces that “have two doors and no exit”.
– Ranjit Hoskote, author of Jonahwhale
Jennifer Robertson’s poems invite us to a world of “intimate strangeness” where poetry is “nuts and waywardness” and poets are “hoodlums” who leave behind “delinquencies” as their legacy. Although thickly silted with references to literature, painting and cinema, this is not a world of glibness or slick cultural sophistication. A throbbing vein of disquiet runs through Folie à Deux reminding us of relationships that could lean towards “darkness and magic”; lives lived in “intermission” with fragments spilling over “in the dark, under the seat”; and a self that yearns to drown into “a sunken civilisation”. This is a poetry of crafted surfaces and unexpected trenches, beeping microwaves and buried cities – allusive and “alluvial” all at once. Folie à Deux is a strong, self-assured début.
– Arundhathi Subramaniam, author of Wild Women
Lexically restless, geodesic, and unapologetically omnivorous, Jennifer Robertson’s Folie à Deux is a dialectic that considers the fulcra of observance and animacy, liberation and stagnancy, tranquility and obsession. Robertson’s poetry applies a painterly heat to our bodies, and readers to scratch at persona, and to map a self through the historical detritus of art and signs. What disturbs me most about this book is that, ravenously, Robertson “reinvents time travel”.
– Jhani Randhawa, author of Time Regime
-
Three Stories – Jibanananda Das
$10About the Book
Reading Jibanananda Das’s stories is like entering straight into the middle-class Bengali mind with its desire, ambition, morbidity and despair. Through the narratives around three men whose melancholy defines the structure of these three stories, the writer re-examines the concepts of success and failure, desire and fulfillment, love and weariness, ennui and death. While the insights are those of a poet, these stories marked by Jibanananda’s deep involvement with Bengali landscape, cuisine and culture, transcend his lyrical impulse to become proper, if technically innovative, short stories with the touch of a master of the genre. Chandak Chattarji’s English versions have been able to capture the provincial setting and style of the original narratives keeping intact their nuanced psychological implications and larger insights into the human condition.’ – K. Satchidanandan ‘It has been a privilege to discover Das the writer of fiction through Chandak Chattarji’s elegant and sensitive translation of three of the master’s short stories, ‘Chhaya Nat’ (‘Shadow Play’), ‘Gram o Shohorer Galpo’ (‘Tale of City and Village’), and ‘Bilash’ (which retains its original title here).’ – Ranjit Hoskote









