Showing all 13 results

  • Lighthouse for drowning memories

    About the Book

    It’s in Delhi, dystopian as ever, that Sujatha Mathai continues to live and write today, and I fear her words—“I cannot save my city / Against the degradation of dust”—will echo long into the future, acquiring new meanings.  And yet I’m so happy to read a new book of hers, to see that she’s still writing her poems sharp and clear as glass, full of sympathy for the world and those who suffer.  It makes me feel that literature survives and helps us survive, that it carries more continuity than we think.

    Vivek Narayanan
    Assistant Professor, Department of English, George Mason University

    $16
  • Only the Forest Knows

    About the Book

    “Wings sense what they must”. And poets too. In her third poetry collection, Anindita Sengupta receives and transmits the hues of a planet mad with want, fear, breakdown. At the heart of a maelstrom of (in)humanity and conflagration, dispossession and disease, her poems bite and rage and mourn. From forage fish to polar bears, she is enmeshed and implicated. With her, we sense the natural world’s mysteries as apprehensible, but “not teachable”. In these poems, breath is the seam that will rip and tear; pain the only climate we can count on. As we embrace deception and vulnerability, we coil in and out of the quieter spaces we contain and are contained by. Hers is our hunger to understand, even hope, so that we might begin again to believe in “small miracles”, to persist, like the algae, “in a world without light.”

    – Sampurna Chattarji

     

    Anindita Sengupta asks: “How to speak of violence without /repeating it. What language? What tone? What / memory?” Throughout this coruscating collection, her fluid and inventive poiesis attempts to answer these questions, weaving contingent and deeply human meanings out of personal and collective trauma. Only the Forest Knows is a profoundly accomplished, intelligent work. Sengupta creates an urgent, sensual language that speaks out of the raw contradictions and anguish of the present. This is a poetry tempered by fire, loss and sorrow that
    yet, as Rilke said, “nevertheless still praises”: a hard-won beauty that is its own hope.

    Alison Croggon

     

    $20
  • CogVerse

    About the Book

    Vivekanand Selvaraj’s debut book of poems, ‘Cog Verse’ has clever cogs that rotate and fit snugly into the amiable cog machine in succinct poetry.  His prose poetry dealing with the internal life of a freshman and the business of medicine as a profession is unflinchingly incisive. Speaking of his ancestors and grandparents on both sides, nowhere does he forget his Tamil ethos and the book comes off as startlingly original.

    — Sivakami Velliangiri

    _____________________

    Here, in these poems, the object-worlds of a pre-liberalized India rub shoulders with the pandemic present, incongruent, yet strangely essential. Here, failure is rebellion, and rebellion in itself, becomes an illusion. Yet, Selvaraj’s poems document a severe critique of the institutions we hold as pristine – the medical school, the hospital, the deep state. Oftentimes, this critique is that of an insider, who, in spite of the said critique, feels depleted, hopeless, leaving us – the readers – asking for more. And, it is often done through careful manipulation of the white spaces on a page, unconventional line-break and a playful engagement with the very idea of lyric subjectivity.

    — Nandini Dhar

    ___________________

    Vivekanand is a poet of spaces. He isn’t interested in the broader themes of things that happen every day. But he is still interested in the façade of equanimity, everyday cruelty, and mundanity. These poems are Vivekanand’s way of chronicling stories for posterity, but also because everyone else has simply forgotten to catalogue them. These aren’t poems you’ve read before. Vivekanand isn’t a poet you’ve met before. Unique in his writing and assured in his voice, Vivekanand’s CogVerse is a necessary addition to your poetry collection.

    —- Manjiri Indurkar

    $20
  • Stray Poems

    About the Book

    Abhay K. strikes such a cheerful, sensual and sunny note in so many of his individual poems…with a pure, ringing sound and rhythm all of his own.

    —Gabriel Rosenstock, Poet, Ireland

     

    Abhay K. is a trusted guide to modern poetry, to the journey in which we are seeking truth, peace and justice…feel the spirit of God coursing through his lines.

    —Indran Amirthanayagam, Poet, USA

    About the Book

    Stray Poems takes you on a poetic ride across the world, to the moon and planets in our Solar System and to the far reaches of the Universe and then back to our glorious Earth! Bon Voyage!

    $20
  • Mapping Gondwana

    About the Book

    I was moved by the ways in which, at key moments in the dialogue, rhythms shift, and instead of call-response between the poems, we go into each poet’s memory – a call-response between present and past. As they traversed back and forth between private parallel hum – after all, hum is “we” in Hindi – and direct synapse, I loved how freely they responded to both inner reverie and external stimuli. In some of Ari’s poems it felt like he was revisiting earlier trips to India – so that the duet was not restricted to what has just been received but what has always been residual – suggesting collaboration as a pretext – for return? Ari’s riverine contemplations counterpoint Subhro’s archetypal majhi (the boatman) made unmetaphorical. From Tagore’s golden boat to Subhro’s carbon kayak, what rapids have been crossed?

    —Sampurna Chattarji

    $16
  • Vital Signs

    About The Book

    What happens when you pay attention to which foot leads – when you walk? Or when we really attend to the pleasures of eating, or of a changing sky? What if we realised that paradise is found all around us – Shangri La behind bus stops?

    Amlanjyoti Goswami’s poetry is full of these Vital Signs, these details of wonder. Stringing words on a high wire, his is a rare ability to pause time, so we can look, really look, and live. Even the act of repairing a shoe can be meditative and philosophical in his hands. And within the glimpses of grand ideas there is a humility, a reminder that life is there to be felt, touched, lived, in the quietest of moments.

    The laureate of ‘the idea of forever, inside an instant’, Amlan’s poetry carries within it, that most unfashionable of qualities – a sense of grace – but also the quiet wisdom that a life is a series of sensations that become memories. He shows us how the mythic can be ordinary, and how the ordinary becomes mythic. –Rishi Dastidar

    $16
  • On The High Wire

    About The Book

    “How timely the invisible rain appears to be / when we have stopped expecting it,” says Siddhartha Menon: words that might equally apply to this substantial and somewhat unexpected collection that establishes him as a major Indian poet.  The vocabulary is often unfussy and, despite the book’s title, the form carries no hijinks, but every line, you feel, has been tested, every line holds in the solitary practice of the mind.  Here place is not a romance of names but an ethics of speaking and a scrupulous attention to both the immediate and the far away, the ants on a teaspoon or the spacecraft on the edge of Saturn, the sentry who “could be” a poet or the unfortunate politics of the state that holds us and others captive, an anonymous bellboy or the great actor Irrfan Khan who could make himself anonymous.  Some of the most dazzling poems in the book are sequences; always, we can be sure that following Menon’s thought through will reward us and leave room for us.  It’s like a magic trick with no sleight of hand.  The “certitudes” may be “green and gleaming” but the “eyes betray the sting of wisdom”.

    – Vivek Narayanan

    $16
  • WALK

    About the Book

    This is a breath-taking experiment involving three poets, four languages, a pandemic and a million miles of migration. You will not find a bleeding heart here nor any cheap sentiment. Here is a watchful eye and a savage tongue. Here is a calligrapher’s pen and a bow to Ezra Pound. Mustansir Dalvi’s poetry has always meant something more to me than the best words in the best order. Here he shows us the order of things in a disordered world and we are humbled by this act of bravery and of empathy.

    Jerry Pinto, poet and translator

    Asylum, I want a poem and other poems

    First published as an e-chapbook by Yavanika Press in that dreadful plague year, 2020, Mustansir Dalvi’s brilliant and memorable WALK is an act of homage to the suffering of those millions of Indians, already living precariously between village and metropolis, who were turned into migrants in their own land – forced to walk thousands of miles home, on what was effectively a death march, by a callous State and a society that improvises rather than systematising effective forms of compassion.

    WALK now returns, under the Poetrywala imprint, as a surging polyphony. Dalvi is joined in this splendid quadriga of a book by Hemant Divate and Udayan Thakker, who have translated these poems into Marathi and Gujarati respectively; the author has rendered himself into a vibrant Hindi. This relay of versions is completed by Sudhir Patwardhan’s painterly testimony to the anguish of the Covid refugees caught up in a humanitarian catastrophe. A poet and translator, Dalvi infuses his writing with multilingual resonance and quicksilver diversity, shuttling among idioms and registers, in-group argot and makeshift patois. As befits the gravity and universal urgency of its subject, this book will reach readers in four languages simultaneously, saying to them, to us: Never forget!

    Ranjit Hoskote, Poet, art critic and cultural theorist

    $20
  • The Tattooed Teetotaller and other wonders

    About the Book

    We say mind the book, it’s out of control.
    But it’s author says
    ‘Nonsense verse helps its writers escape their resident demons,
    setting them free to deal with the more transient ones of mischief.
    At time I’ve tried to use that freedom to highlight contemporary absurdities,
    at other times to write about those of a not-too-distant colonial past.
    Readers will find that not everything here is nonsense, like the poem below.
    But I hope they also find that however disastrous our falls into folly may be,
    they can also be luminous’
    Like Dictators
    Rats are strict in their regulations.
    Like dictators they regulate
    meals and nations
    along lines of bite.

    $18
  • Abstract Oralism

    About the Book

    Yamini Dand Shah, with this new book Abstract Oralism, captures both precisely and remarkably the mysterious and elusive world of the Kachchh of Western Gujarat. Her metaphors and similes transport the reader towards this ancient terrain where Indus Valley peoples once flourished. Conceptually advanced and sophisticated, the poetry of this book causes us to reconsider our place in the world: in the light of the author’s extraordinary perception that translates earthly experience into a uniquely beautiful expression of the human condition.

    -KEVIN MCGRATH, Poet Laureate, Harvard University

    In the ‘Abstract Oralism’, Yamini reveals the beguiling mythic and mimetic history of the dangerously luminous, sensuous, and ephemeral beauty of the desert of Rann of Kachchh leaving us astonished and redeemed at once. ‘Sifting through soiled pages of an anti-modern, abridged dictionary’ of memories, she weaves embroidered tales of palaeolithic biographies of forgotten people in an experimental genre of speech-therapy with fierce emotional power. By turns poignant, playful and ironic, Yamini’s deceptively layered linguistic dreamscapes break new ground in experiencing hallucinatory minimalism in poetry. A mesmerizing debut!

    -ASHWANI KUMAR, Poet, Writer and Public Policy Researcher

    $20