Author | |
---|---|
Imprint | |
Language | |
Edition | |
Publishing Year | |
Pages | 80 |
Binding |
Obsessed with Life
$10
About the Book
“Mozetič’s verse conjures a distinctly gay way of looking at the world. It is both placid and paranoid, opening the world into paper-thin layers of sex, loneness and non-disingenuous self-reflection. His lyric has a remarkable flow, his language is persuasively simple, and his tone is forthright, all of which give the shattered heart at the core of this book a strange magnetic force.”
– Akhil Katyal, poet, translator, scholar and queer activist
Related products
-
First Infinities
About the Book
Hell, or a state very much like it, does feature in Nambisan’s poetic underworld, which is deep, intricate and enticing. …… – From the Preface by Adil Jussawala Nambisan’s view of humankind is bleak, his view of the possibilities of poetry even bleak
-
Grab your heart & follow me
About the Book
“In my wonderland, there are only beginnings, ‘there is no end’. Plunge into this book of?poems by Claus Ankersen where cat-gods rule, babies are born with stargates for eyes, kisses are catalogued and the 12th pen writes of celebratory sins. Expand the eternity of now. Be nomad, tiger, ‘soulhuntress.’ Head-dive into the mysteries of the world. Dance
-
Bimb
About the author
Sanjeev Khandekar (1958) is a poet and a visual artist. Kavita (Granthali, 1990) a collection of his early poetry and Search Engine (Granthali, 2004). These collections have been followed by three volumes of poetry – All that I Wanna Do (Abhidha Nantar, 2005), Mutatis Mutandis (2006) & (2014) and Two Poems (2006). Khandekar?s two books, ‘1,2,3… Happy Galaxy’ and collection of present poetry ‘Smiles’ (2007) are published by Abhida Nantar in 2007. In 1982, he edited Sankalp: A collection of essays by social activists in Maharashtra .It was awarded the Marathi Sahitya Parishad award. His second book, the novel Ashant Parva (Season of Unrest, 1992), concerns itself with the construction of a politically sensitive self in post-industrial India. Khandekar is based in Mumbai. -
Bookmarking the Oasis
About the Book
The poems in Bookmarking the Oasis slide between water and land as they reflect on boundaries, partings, and the identities thrust on us. Luminous, quiet, courageous, Srilata’s poems plunge into the poetics of the everyday, recording fugitive moments with humour, irony and compassion. Nothing escapes the poet?s eye, whether the classroom’s tyranny for both teacher and taught, the blindness of experts, the vulnerabilities of childhood, or the volatile interiors of the human mind. Some poems draw on other poets’ voices, beginning conversations and uncovering strange resonances. Connecting it all is the image of the oasis, unexpected, delicious; a serene, fluid clearing in the mind, bookmarked for later, that allows poetry – and everything else – to happen
-
The Owl and the Laughing Buddha
About the Book
The poems in The Owl and the Laughing Buddha bring a ‘lighthouse sweep of attentiveness’ to their subjects. This is a book about noting, from the title poem’s companionable but contrasting figures on a writing desk to the devastating aftermath of a cloudburst in the mountains, and from a flier’s eye-view to a walker’s – and a mole’s. Here are poems interested in gods and figures of myth, and in observing houses, trees, birds and other creatures in a changing neighbourhood; poems that talk shop with fellow poets and respond to works of art and culture; and poems that watch our responses to the daily catastrophes that sometimes constitute ‘news’ – whose interest is no less a matter of whimsy, perhaps, than some of the tales narrated in the final section of the book. Yet the poems rest on an implicit conviction that everything must be given its due and treated seriously – though not solemnly, for it is mirth, after all, that is the laughing Buddha’s centre of gravity. Treading margins between the real and the imagined, the concerned and the tongue-in-cheek, this is Menon’s third collection of poems.
-
Walk Like Monsters
About the Book
These are late night poems of the body that sing also of catastrophe, how wide it is, how easy, like ‘being in one place instead of another.’ Anindita Sengupta’s new book is hot, harrowing and masterful. It will stay with me for a long time. ~ Jeet Thayil Anindita Sengupta is a poet of the precise line, the measured image, of mediated passion, the sure ending. Her observation is acute, her politics seldom theatrical and her passage from one world to another and from the object to the spirit smooth and subtle. Her poetry proves that silk can wound and knife can flower. ~ K. Satchidanandan “They rise in this landscape, the ancients – old loves, myths, cities, secret revolutions. Anindita Sengupta’s language is forever old and forever new. Fretful, explosive, terrifying. Her poetry will leave you with beautiful scars.” ~ Janice Pariat
-
The Metaphysics of the Tree-Frog’s Silence
About the Book
It is our loss that we did not know Ajithan Kurup’s work when he was alive, and we did not celebrate his brave and lonely project: to render the unsayable into language. He cannot be imitated or replaced, only admired.- Jeet Thayil
To enter Ajithan G. Kurup’s poetic world is to risk, in the words of his title poem, dancing “headlong down precipices.” It’s rare to find a contemporary poet who dares near-unattainable heights and fearful depths on dancing words – words that may sometimes seem far-fetched or invented but which, in fact, are inspired variants or archaic forms of those more usually used: “sempstress” instead of “seamstress”, “enow” instead of “enough”, “trode” instead of “trod”.-ADIL JUSSAWALLA