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Unmappable Moves
$20
About the Book
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Bimb
About the author
Sanjeev Khandekar (1958) is a poet and a visual artist. Kavita (Granthali, 1990) a collection of his early poetry and Search Engine (Granthali, 2004). These collections have been followed by three volumes of poetry – All that I Wanna Do (Abhidha Nantar, 2005), Mutatis Mutandis (2006) & (2014) and Two Poems (2006). Khandekar?s two books, ‘1,2,3… Happy Galaxy’ and collection of present poetry ‘Smiles’ (2007) are published by Abhida Nantar in 2007. In 1982, he edited Sankalp: A collection of essays by social activists in Maharashtra .It was awarded the Marathi Sahitya Parishad award. His second book, the novel Ashant Parva (Season of Unrest, 1992), concerns itself with the construction of a politically sensitive self in post-industrial India. Khandekar is based in Mumbai. -
The Metaphysics of the Tree-Frog’s Silence
About the Book
It is our loss that we did not know Ajithan Kurup’s work when he was alive, and we did not celebrate his brave and lonely project: to render the unsayable into language. He cannot be imitated or replaced, only admired.- Jeet Thayil
To enter Ajithan G. Kurup’s poetic world is to risk, in the words of his title poem, dancing “headlong down precipices.” It’s rare to find a contemporary poet who dares near-unattainable heights and fearful depths on dancing words – words that may sometimes seem far-fetched or invented but which, in fact, are inspired variants or archaic forms of those more usually used: “sempstress” instead of “seamstress”, “enow” instead of “enough”, “trode” instead of “trod”.-ADIL JUSSAWALLA
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Walk Like Monsters
About the Book
These are late night poems of the body that sing also of catastrophe, how wide it is, how easy, like ‘being in one place instead of another.’ Anindita Sengupta’s new book is hot, harrowing and masterful. It will stay with me for a long time. ~ Jeet Thayil Anindita Sengupta is a poet of the precise line, the measured image, of mediated passion, the sure ending. Her observation is acute, her politics seldom theatrical and her passage from one world to another and from the object to the spirit smooth and subtle. Her poetry proves that silk can wound and knife can flower. ~ K. Satchidanandan “They rise in this landscape, the ancients – old loves, myths, cities, secret revolutions. Anindita Sengupta’s language is forever old and forever new. Fretful, explosive, terrifying. Her poetry will leave you with beautiful scars.” ~ Janice Pariat
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Brouhahas Of Cocks
About the Book
Hardback awakening The air is thick, and has revived my books, anticipating the first spell of a Bombay monsoon. Ambient moisture has slaked pages that shuffle and twist, arise to a wakefulness, unleaving. Feeling the discomfort of nearness,
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The Owl and the Laughing Buddha
About the Book
The poems in The Owl and the Laughing Buddha bring a ‘lighthouse sweep of attentiveness’ to their subjects. This is a book about noting, from the title poem’s companionable but contrasting figures on a writing desk to the devastating aftermath of a cloudburst in the mountains, and from a flier’s eye-view to a walker’s – and a mole’s. Here are poems interested in gods and figures of myth, and in observing houses, trees, birds and other creatures in a changing neighbourhood; poems that talk shop with fellow poets and respond to works of art and culture; and poems that watch our responses to the daily catastrophes that sometimes constitute ‘news’ – whose interest is no less a matter of whimsy, perhaps, than some of the tales narrated in the final section of the book. Yet the poems rest on an implicit conviction that everything must be given its due and treated seriously – though not solemnly, for it is mirth, after all, that is the laughing Buddha’s centre of gravity. Treading margins between the real and the imagined, the concerned and the tongue-in-cheek, this is Menon’s third collection of poems.
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Mutatis Mutandis
About the Book
Through sex-dolls and addictions, for whom poetry can be just another narcotic throbbing in your vein. Khandekar’s man has stretched himself to the limits of the Machiavellian primate, modifying his behaviour and absurdum to fit in with the changing patterns of a world spinning out of control on the wheel of progress. Meet the ghost in the machine Sanjeev Khandekar’s poetry grins impishly, then socks you in the eye. It makes you feel horns on your head and inspect your skin for green stripes. Khandekar breaks conventions of belief, language and genre to offer a world with no certainties, where you are just a gob of self-awareness floating in a matrix of virtual reality, mutating every moment to balance your inner needs with social expectations. You are the Mutatis Mutandis Man the human ‘with necessary changes’ carried out the modified man tossed between inscrutable science and enigmatic religious faith, the creature who gropes for love and creativity that may lure you towards self-destruction. Meet Khandekar’s Monster and see if he seems familiar.
Khandekar’s poetry, like his art, is disturbingly unconventional; and Abhay Sardesai and Nandita Wagle’s excellent translation from Marathi now brings it to the English reader.
-Antara Dev Sen -
Grab your heart & follow me
About the Book
“In my wonderland, there are only beginnings, ‘there is no end’. Plunge into this book of?poems by Claus Ankersen where cat-gods rule, babies are born with stargates for eyes, kisses are catalogued and the 12th pen writes of celebratory sins. Expand the eternity of now. Be nomad, tiger, ‘soulhuntress.’ Head-dive into the mysteries of the world. Dance